Archive for the ‘Trademarks’ Category

District Judge Issues Sweeping Injunctions Against BRATZ Doll Manufacturer for Infringement of Mattel’s Copyrights

Thursday, December 11th, 2008

Last Wednesday, the Eastern Division of the Central District Court of California issued a series of extraordinarily sweeping injunctions in favor of Mattel, in the four-year legal dispute between the toy giant and the makers of the popular BRATZ dolls, MGA Entertainment.

Unless you don’t have any tween girls in your entourage, you may know that the BRATZ dolls are saucy, sexy versions of the BARBIE dolls. They came on the market in 2001 and were an instant sensation with young girls, resulting in a billion-dollar franchise, including over 40 characters, video games, and a whole host of ancillary products, accessories and related toys, like BRATZ BOYZ or BRATZ PETZ; even a movie.

Last July, Mattel won a $100 million jury award against MGA for breach of contract and copyright infringement. The jury found that the creator of the BRATZ dolls, Carter Bryant, came up with the idea and design while still under an exclusive contract with Mattel and that MGA had interfered with that contractual relationship. The jury also found that Mattel’s copyright had been infringed by the BRATZ dolls.

One of the post-trial disputes between Mattel and MGA was centered on whether the jury found that only the first generation BRATZ dolls created by Bryant while he worked at Mattel (Yasmine, Chloe, Sasha and Jade) infringed on Mattel’s copyright, or whether the entire line of BRATZ products was in violation. In this latest series of orders, issued on December 3, 2008, the District Court found the entire line to be infringing and issued the following rulings:

- MGA must cease manufacturing, marketing and selling the BRATZ line and any ancillary products;
- MGA must deliver, at its own expense, all infringing dolls and products to Mattel for impoundment; and
- Mattel is granted a constructive trust in the BRATZ and JADE trademarks and related domain names.

These unusually broad injunctions, once in place, would essentially shut down MGA’s business. It may not be the end of the Bratz quite yet, however (no matter what some parents may hope!). The District Court stayed the orders until February 2009 and MGA issued a statement that it will file an appeal to the 9th Circuit and request a stay.

Practice Pointer:

While ideas and concepts are not copyrightable, the expression of ideas and concepts is. Here, the employee crossed a line by re-using more than just intangible ideas and by taking with him actual trademarks and designs created at his former job. This case reminds us of the very real and very costly copyright risk that exists when a company hires an employee or independent contractor who has worked for a competitor. Ideally, you want your new employee to create something new and original every time but, practically speaking, that is not always possible. One prudent practice is to institute in-house policies for clear and clean copyright and content hygiene. Such policies, for example, specify which materials employees may or may not re-use in the scope of employment; and may also set forth a clearance process for “prior art” and open source materials employees are allowed to use from time to time.

DON’T Do as I Say; Do as You Should! TTAB Issues Quirky Decision

Tuesday, December 9th, 2008

In re Hudson Fairfax Group LLC, Serial No. 76662560 (November 21, 2008)

In this non-precedential decision, the TTAB found that that a web page displaying the words “India Continuum Fund” (shown below) was acceptable to show use of the applied-for mark CONTINUUM for financial investment services.

The Board held that, because the word “India” was geographically descriptive (as the location of the investments) and the word “fund” was generic, the word CONTINUUM was not “a mutilation of applicant’s mark,” even though the words “India” and “fund” appeared in the same size and font type as the mark CONTINUUM on the specimen page. In short, the Board found that CONTINUUM and INDIA CONTINUUM FUND created a similar commercial impression.

To say that this is a surprising result is an understatement!

The TMEP is clear that “the drawing of the mark must be a substantially exact representation of the mark . . . as shown by the specimen.” TMEP § 807.12(a) citing 37 C.F.R. §2.51(a), emphasis added. In addition, the mark on the drawing must be a complete mark, as shown on the specimen of use. When the representation on a drawing is missing an essential and integral portion, it is sometimes referred to as “mutilation,” which was ground for refusal of CONTINUUM in this case. The determinative factor is “whether or not the subject matter in question makes a separate and distinct commercial impression apart from the other element(s).” TMEP § 807.12(a).

In the specimen submitted by applicant in this case, the word CONTINUUM did not stand out in any way from the words “India” and “fund” (same font, size, color, etc.), which, arguably, creates a unitary mark (INDIA CONTINUUM FUND) that has a distinctive commercial impression from the mark CONTINUUM by itself. Longstanding TTAB case law supports this position. For example in In re Semans, 193 USPQ 727 (TTAB 1976), the Board found that the term “KRAZY,” displayed on the specimen on the same line and in the same script as the expression “MIXED-UP” did not in itself function as a registrable trademark apart from the unitary phrase “KRAZY MIXED-UP.” The recent case In re Yale Sportswear Corp., 88 USPQ2d 1121 (TTAB 2008) is also instructive: the mark UPPER 90 for clothing was refused registration because the specimen of use did not match the drawing. The specimen was a hangtag that included a degree symbol after “90,” a difference that “substantially change[d] the overall impression of the mark.”

If a degree symbol is sufficient to create a distinct commercial impression of the mark, why aren’t the words INDIA and FUND?

Practice Pointer: Regardless of this odd decision, make sure your clients submit specimens of use that are substantially exact representations of their marks, as filed. Small variations are generally fine (like punctuation; although an exclamation point has been held to change the commercial impression of a mark). Whenever possible, the mark should stand out from the words surrounding it, i.e. using a different font, size and/or color. For example, in In re Servel, Inc., 181 F.2d 192 (C.C.P.A. 1950) the Board reversed the refusal to register the term SERVEL as a mutilation of the mark SERVEL INKLINGS, where the specimen displayed an insignia between the words “SERVEL“ and “INKLINGS,“ and “INKLINGS” was printed in a large and different kind of type.

Let There Be Rock: AC/DC, the Band, the Brand, the Legend

Monday, December 8th, 2008

A little something from Doug:

I received a last minute call the other day from a boyhood friend inviting me to see the band AC/DC in concert at the Oracle Arena in Oakland, CA. Needless to say, I jumped at the opportunity. Why? On one hand, I’ve never seen AC/DC live. Say what you will, but any band that can sell out two shows at a modern basketball arena, some 35 years after their founding, must be doing something right. Indeed, since forming in 1973, AC/DC has achieved global sales totaling more than 150 million albums. Moreover, AC/DC is Sony BMG Music’s best-selling catalog act worldwide, selling nearly 70 million albums in the U.S. alone. On the other hand, I was also interested in AC/DC the “brand.” Would my interest have been as piqued if our seats were in, say, section 213, rather than in a catered club level luxury suite with preferred parking?? Does Angus Young wear corduroy shorts???

Arriving at the Arena parking lot the first thing I noticed was the T-shirts. Everyone seemed to have a unique AC/DC concert shirt. A badge of honor amongst concert veterans. Consistent, however, in these t-shirts was the prominent placement of the the recognizable AC/DC logo. Seeing that prominent AC/DC logo got me thinking about, and looking at, all of the band’s merchandise for sale, emblazoned with its unique logo.

It is evident that AC/DC understands the power of its logo and the goodwill associated therewith. In addition to T-shirts (designs for men, women, and children), on sale at the venue were: AC/DC posters and stickers, AC/DC jackets and outerwear, AC/DC hats, AC/DC magnets and key chains, AC/DC 2009 wall calendars, and AC/DC tour programs. Interestingly, AC/DC currently maintains U.S. trademark registrations in only International Classes 016, 025, and 026. These registrations are for the AC/DC Logo design mark, and not the standard word mark. While these registrations provide the band significant protection, and the band certainly has significant common law protection, there are some categories of goods and services the band could consider.

For example, AC/DC maintains a fairly elaborate website, yet does not maintain a U.S. registration in Class 041. The website offers streaming audio and video, but the band is not registered in Class 038. Of course, as their bread and butter, AC/DC sells CD, DVDs, and video game cartridges and discs, yet the band has no registration in Class 009. The band sells tote bags, luggage tags, and doggie sweaters in Class 18, and ashtrays in Class 034, all without U.S. trademark registrations. Big deal, you say . . . who’s gonna rip off AC/DC’s trademark? There’s an old saying, “an ounce of prevention is worth a pound of cure.” One need only look at AC/DC’s metal brethren METALLICA, and its numerous trademark registrations, to see what a few ounces of prevention is worth.

“Angus, baby, call me . . . we’ll do lunch. Have you thought about AC/DC air fresheners in Class 005?”

Note from Tsan: Except as related to information pertaining to the practice of trademark law and expansion of brand protection, the views expressed herein (including without limitation the reference to the band as legendary) do not necessarily reflect the position of Cobalt or Doug’s colleagues.

Big Ten Conference Scores Against Supporter: Court finds No Trademark Rights in an Idea

Monday, December 8th, 2008

Welsh v. The Big Ten Conference, Inc., (Case. No 08 C 1342, ND Illinois 11/21/08)

Perhaps an easy lay-up to a seasoned trademark professional, this case presents some interesting facts surrounding confidentiality agreements, ideas, and trademarks. In the case, Welsh, a supporter of Big Ten Athletics approached the Big Ten Conference (“Big Ten”) with a business plan that included an idea for a “Big Ten Network,” a cable station that would provide coverage of Big Ten athletic events, including commentary, talk shows, and game broadcasts. Big Ten reviewed the materials, pursuant to a confidentiality agreement, and subsequently determined to punt on the business relationship with Welsh.

Many years alter, Big Ten created the Big Ten Network, which included a number of ideas from those set forth in Welsh’s business plan. Welch sued for violation of Section 38 of the Lanham Act, and sued under the Illinois Trade Secrets Act, and for breach of contract. Big Ten moved to dismiss the complaint, citing Keane v. Fox Television Stations, Inc., 297 F.Supp. 2d 921 (S.D. Tex 2004), which held that an idea for a television show (“American Idol”) cannot be protected under trademark law.

In his pleadings, the Plaintiff argued that while he had not yet made use of the mark BIG TEN NETWORK; and neither had he filed an application for the mark, his BIG TEN NEWORK was protected under trade secret law. The court disagreed and sided with Big Ten.

The court found that Plaintiff had made an overly broad reading of the Lanham Act and found that Welsh could not assert a trademark right in his idea for a name of or content of BIG TEN NETWORK. Moreover, citing a nearly 100 year old Supreme Court case, United Drug Co. v. Theodore Rectanus Co., 248 U.S. 90 (1918), the district court found that “use” of a trademark is not made when it is presented as a idea, and not alongside a product or services as a distinguishing mark.

The court finally noted that misappropriation of trade secrets, which is a state claim, and, without a federal Lanham Act cause of action, the state claims were dismissed for lack of subject matter jurisdiction.

Practice Note: Notwithstanding what trade secret claims a plaintiff may have in the above fact pattern, clients should proceed carefully in third party solicitations of business relationships. Most importantly, it has no ownership rights in any catchy trademarks and phrases, particularly those that embody a third party’s existing trademark.

Touchdown For Auburn University In Trademark Infringement Suit!

Wednesday, December 3rd, 2008


Like a quarterback sacked by his own team, a U.S. district court in Alabama granted Auburn University’s motion for a preliminary injunction against alumni, Mike Moody, and his website sixfingeryear.com in the case of Auburn University v. Mike Moody and Sixfingeryear.com (Civil Act. No. 3:08cv796-CSC November 4, 2008). There the court found that the defendants’ six finger foam hand novelty souvenirs bearing the marks AUBURN and WAR EAGLE likely infringed on Auburn’s registered trademarks.

Auburn University owned incontestable federally registered trademarks for the marks AUBURN, WAR EAGLE, AUBURN UNIVERSITY, and AUBURN TIGERS. Moody created and sold, through his website sixfingersyear.com, orange six finger foam hand novelty souvenirs designed to commemorate Auburn’s six game winning streak over the University of Alabama in the Iron Bowl. Each finger represented one of the teams’ victories, and each hand bore the words “Auburn” and “War Eagle” in blue.

Auburn called foul. It filed a motion for preliminary injunction and sued Moody for trademark infringement, unfair competition, dilution, false designation and misrepresentation of origin. Stepping in to referee the dispute, the court entered an order restraining Moody from producing, manufacturing, marketing, distributing, selling or offering to sale, the six finger foam hands bearing the marks AUBURN and/or WAR EAGLE and/or any other foam hand novelty product that contained any of Auburn University’s marks.

Playing zone defense, Woody offered several unsuccessful arguments, including a claim that he was not profiting from the sale of the hands and that he had not intended to use the marks in retail commerce. All he wanted, he claimed, was to have “fun to celebrate and hopefully make enough money to pay for the costs and buy some beer” from his “lemonade stand type project.” As the court signaled from the sideline, it was not necessary that Moody profit but only that he intended to benefit from the use of Auburn’s mark.

Perhaps his greatest fumble, however, was in selling one of his foam hands containing the words AUBURN and WAR EAGLE to an employee of the Auburn’s Trademark Management and Licensing Office after receiving a cease and desist letter from Auburn’s licensing agent.

The court easily found Moody offsides. The relevant likelihood of confusion factors, including strength of the marks, similarity of marks, similarity of goods/services, the channels of trade, defendant’s intent and actual confusion, weighed strongly in favor of Auburn. Finding it likely that Auburn would prevail on its infringement suit, the court granted a preliminary injunction.

Note: And all of this because a guy who sold 14 foam fingers to his friends for make some beer money. Perhaps Mr. Moody should have stuck to his lemonade stand.

9th Circuit Puts “Gone in 60 Seconds” Back in the Driver’s Seat

Tuesday, December 2nd, 2008

The 9th Circuit vacated and remanded the case of Halicki Films v. Carroll Shelby Int. (CV-04-08813-SJO November 12, 2008), finding that the District Court erred in granting Defendant’s Motion for Summary Judgment for lack of standing.

In 1974, Long before Nicolas Cage and Angelina Jolie burned up the state in the remake of “Gone in 60 Seconds,” Toby Halicki produced and marketed the Original Motion Picture and subsequently, the Ford Mustang used in it, “Eleanor.” In 1995 Toby Halicki’s widow entered into an agreement with Hollywood Pictures to produce of remake of the original, but the car name used was not “Eleanor.” Instead, the car used on screen was a customized “Shelby GT 500” (a variant of the Ford Mustang), created by Carroll Shelby with Ford’s permission. The name “Eleanor” was never used in the film’s remake. Carroll Shelby met Ms. Halicki at a trade show where she was displaying the original “Eleanor” and selling merchandise under the mark.

In 2002, Carroll Shelby applied to register the name ELEANOR for automobiles and structural parts (Halicki had a registration for promotional items). Shelby also entered into an agreement with a motorcar company to use the mark ELEANOR to market Shelby vehicles and the company began producing vehicles under the ELEANOR trademark thereafter. Halicki sued Shelby for trademark infringement, false advertising, copyright infringement, and unfair competition. The district court ruled that Halicki lacked standing to sue because she had relinquished the rights to the car and to the mark ELEANOR in her agreement with Hollywood Pictures. The 9th Circuit vacated the decision.

The court determined that the plain language of the Agreement, which states that Halicki reserves the right to manufacture, sell and distribute merchandize utilizing the car known as “Eleanor” from the Original motion picture, could be reasonably interpreted by Plaintiff to mean she retained rights to exploit the mark ELEANOR. The court further found that the court erred in not allowed extrinsic evidence of the Hollywood Pictures negotiations to clarify Plaintiff’s rights in this regard, finding that “the trial court must provisionally receive any proferred extrinsic evidence which is relevant to show whether the contract is reasonably susceptible of a particular meaning.”

The court also found that the car was more like a cartoon character than a literary character, and thus, using longstanding law of the circuit, found that the car, “Eleanor”, was entitled to copyright protection.

As to whether she had standing to sue under trademark infringement, the 9th Circuit pointed out that even if Halicki did not have standing under the terms outlined in the Lanham Act, the District Court was obliged to consider Plaintiff’s argument that she was a non-owner with a commercial interest in the mark.

Of note is the admonishment by the 9th Circuit to the District Court to “take a sufficiently broad approach (to the question of trademark confusion) if and when it reaches the merits of Halicki’s claim.” This suggests that while the court acknowledged the goods sold by Defendant and Plaintiff might be sufficiently distinct to find no confusion under a straight trademark infringement analysis, the circumstances here suggest giving little weight to the similarity of the goods.

9th Circuit Finds that Video Game did not Infringe Strip Club’s Trademarks under First Amendment Defense

Tuesday, December 2nd, 2008


E.S.S. Entm’t 2000, Inc. v. Rock Star Videos, Inc., No. 06-56237, 2008 U.S. App. LEXIS 23294 (9th Cir. Nov. 5, 2008)

Grand Theft Auto (“GTA”) is a series of video games known for their irreverent humor, violence and seedy characters. Players have to complete missions while driving around virtual cities, interacting with (and on occasion shooting at) gang members and prostitutes. The latest in the series, GTA: San Andreas takes place in the fictional city of Los Santos, a lampoon of Los Angeles. The game features a virtual strip club called “Pig Pen” that resembles the L.A. “gentlemen club” PLAY PEN (including a similar awning and font, use of the silhouette of a woman in the stem of the first letter “P” and the words “Totally Nude”).

Play Pen sued the game developers for trademark, infringement, trade dress infringement and unfair competition.

The 9th Circuit dismissed the case, holding that the use was protected by the First Amendment and the modification of the trademark was not explicitly misleading. The First Amendment defense applies to artistic works’ use of a trademark, unless the use has no artistic relevance whatsoever (i.e., the “level of relevance merely must be above zero”); or unless it explicitly misleads as to the source or content of the work (citing the “Barbie Girl” case, Mattel, Inc. v. MCA Records, Inc., 296 F.3d 894 (9th Cir. 2002)). The Court found that, while both the game and plaintiff’s club offer “low brow entertainment,” they have nothing in common. The public is simply not likely to believe that the game was produced by Play Pen.

The court, however, rejected defendants’ nominative fair use defense because nominative fair use occurs “when the defendant… use[s] the trademarked term to describe not its own product, but the plaintiff’s.” Here, the video game did not use the logo to describe Play Pen so nominative fair use did not apply.

Final Note: While the result of this case is not all that surprising, the opinion provides a good overview of the 9th Circuit First Amendment defense. It is also worth reading, if only for nuggets such as these:
[V]ideo games and strip clubs do not go together like horse and carriage or, perish the thought, love and marriage.
Or this one:
Fans can spend all nine innings of a baseball game at the hot dog stand; that hardly makes Dodger Stadium a butcher’s shop. In other words, the chance to attend a virtual strip club is unambiguously not the main selling point of the Game.

In TTAB Practice and in Kindergarten, the Following the Rules is Important

Tuesday, December 2nd, 2008

In a recent citable decision by the Patent and Trademark Office, the Trademark Trial and Appeal Board (“TTAB”) dismissed Opposer’s Oppositions for failure to comply with the service of process rules outlined in Trademark Rule 2.101.

In Schott A.G. v. Scott, Opposer filed its notices of Opposition by mail and did not include a proof of service Applicant moved to dismiss the Opposition on the basis of no proof of service. In its response papers, Schott admitted to its failure and sought to amend its Opposition by adding the proof of service, noting that no answer had yet been filed. The TTAB didn’t buy it.

In granting Respondent’s Motion to Dismiss, the Board wrote, “opposer cannot, by filing amended notices, cure its failure to properly serve the original notices of opposition. A notice can be amended as a right only if the original notice of opposition was proper.”

The new Trademark Rules, amended in April of 2007, state that a notice of opposition “must include proof of service on the applicant, or her attorney or domestic representative of record, at the correspondence address of record in the Office[.]”

Practice Note: Instead of filing by mail, parties should consider using the ESTTA online filing system. The ESTTA filing system does not allow an opposer to complete the filing process unless it confirms the service of the opposition on the applicant. While online filing is not a fail-safe process (opposer still has to post the opposition to the applicant), it can serve as an important reminder to serve the complaint first.

No Hogging Words, Says a Court, Ruling Harley-Davidson’s Use of SCARECROW is Fair Use.

Wednesday, May 7th, 2008

harley-blog.png

Last month, a Wisconsin district court granted Harley-Davidson’s motion for summary judgment, finding that Harley had not infringed Plaintiff’s SCARECROW trademark when it used the term to describe a paint set.

Plaintiff, a free-hand artist known as SCARECROW, paints designs on motorcycle bodies, and provides his services at various trade shows, motorcycle clubs and rallies, including the Harley Owners Group (“HOG”) events. The mark SCARECROW is used on his booth, and as his DBA. Plaintiff also generally paints a small scarecrow on each of the bikes he customizes. Plaintiff has painted over 22,000 bikes.

For years, Harley has sold custom paint sets that allow individuals to create customized designs on their motorcycles. Each paint set contains a set of colors, selected by the Harley staff, and the Harley staff paints a corresponding design to show how the colors may be used. The paint sets are given names that describe the proposed design, like “venom” (which has an image of a snake), or “gambler” (for a gold-black dice combination). Included in the sets released in 2006 was “Scarecrow” for a black and blue paint set illustrated with a scarecrow and barbed wire. Subsequent to discovering the use of the term “scarecrow” along with a scarecrow image, Plaintiff sued.

In finding that Harley’s use of the image and the term did not infringe Plaintiff’s SCARECROW trademark, the court noted that the catalog scarecrow image looked nothing like Plaintiff’s trademark image. It also pointed out the Harley scarecrow was surrounded – indeed dwarfed – by Harley’s familiar HARLEY DAVIDSON trademark. The use of the term “scarecrow” in association with the particular paint set was merely descriptive use because it described the painted image. The court also noted that while Plaintiff may have legitimate trademark rights in the mark SCARECROW, he cannot appropriate the term to himself and thereby prevent others from using the term in a descriptive sense.

Practice Note: This might have been more of a close call had Harley not had an existing pattern and practice of using fanciful terms to describe its paint colors, making the “scarecrow” term just one of many descriptive uses.

Trade Dress Infringement Against Victoria’s Secret Get’s JUICY!

Thursday, May 1st, 2008

jc-blog.pngvs-blog.png

Juicy Couture, a division of Liz Claiborne, has filed a trade dress infringement lawsuit against Victoria’s Secret, alleging the lingerie giant copied Juicy’s protectible trade dress, namely its pervasive use of the color pink as a brand identifier and it’s practice of putting a brand name on the seat of sweat pants (in this case, Victoria’s Secret actually uses the word “pink”). Juicy also claims that Victoria’s use of LOVE PINK is an attempt to capitalize on Juicy’s use of its LOVE G&P mark.

In addition, the suit alleges Victoria’s Secret copied Juicy’s “Sweet Shoppe” packaging for its own clothing. The packaging makes clothing appear to be in the shape of candies, bon bons, and lollipops. Juicy claims it has been using the candy-wrap trade dress since 2005.

The complaint, filed April 28, 2008, makes numerous comparisons between the designs put out by Juicy and Victoria, including a comparison of the Juicy Couture logo, which looks like a university crest, and the logo created by Victoria’s secret, also a university crest. Although Juicy has roughly 75 trademark applications and registrations, primarily for word or design marks, it relies on its common law rights for its trade dress claims.

A case against Victoria’s Secret may be difficult to establish, given what Juicy is trying to prove: namely that the grouping of the entire line, viewed in its entirety, amounts to the infringement even if the individual parts may not alone be protectible. For instance the placement of words on the seat sweat pants has been done by universities for years. Indeed, the JUICY brand capitalizes on the university crest. The practice of wrapping clothes to look like candies has been done by street vendors in New York to sell their wares. The color ‘pink’ has been associated with women’s clothing (and brands), too. While it seems obvious that Victoria’s Secret has copied the overall concept of the line, a judge may find it difficult to hold that Juicy owns the color PINK for women’s clothing, except as a brand color.

Practice Note: This author’s legal opinion may not be as valuable as that of her receptionist’s, who when told about the case said, “but why is Juicy Couture suing Victoria’s Secret? They carry Juicy’s stuff in their stores!”

New Logo Turns Office On Its, Uh, Side.

Monday, April 28th, 2008

ogc-blog.png

Design companies frequently test new designs and logos by making certain the logos or colors used don’t give rise to foreign translation problems or color combinations that are offensive in other cultures. Looks like they’ll have to add the “racy logo” test to the checklist.

Last week, the Office of Government Commerce in England unveiled its new £14,000 logo. And while cultural comparisons may have been done, evidently no one bothered to turn the logo 90 degrees to the right. Within days after unveiling the new logo, the world was in hysterics over the new logo, which, true to its goal, was designed to “drive up standards and capability in procurement.

The office souvenir shop has been completely stripped of all products, and are expected to be appearing on online auction sites. There are no plans to change the logo.

Practice Pointer: The author would like to point out the extraordinary restraint she used in reporting this story.

Infringement of Marlboro Trademark Not Willful Blindness

Thursday, April 24th, 2008

A court in El Paso, Texas recently applied the test of “willful blindness,” normally reserved for fraud cases, to a Lanham Act claim. In determining that the defendant in a trademark infringement case was not liable for willful infringement, the court looked at whether the defendant had intentionally ignored signs of possible infringement.

The case involved a Canadian importer of cigarettes bearing the MARLBORO trademark. The cigarettes in question were actually counterfeit, which the importer might have known given the price he was being charged. Suspicious, the importer/defendant inspected cigarettes to confirm their authenticity, and upon a visual review, determined they were authentic. They weren’t: when U.S. Customs reported the find, Phillip Morris sued, alleging willful trademark infringement, and requesting statutory damages of $1 Million for each trademark infringed. 15 U.S.C. §1117(C)(2).

Finding that the defendant’s conduct could fit no traditional measure of willfulness, the court applied the “willful blindness” test used generally in fraud cases. Under a willful blindness theory, a defendant is liable if he is subjectively aware of a high probability of the illegal conduct, but purposely avoids learning of the conduct. After looking at the defendant’s conduct, the court determined that defendant had not engaged in willful infringement. While defendant’s behavior showed a lack of diligence, and the cost of the cigarettes should have tipped off the defendant that the cigarettes were counterfeit, the court determined that defendant’s attempts to authenticate the cigarettes were sufficient to find that he had not willfully turned a blind eye to indicators that the cigarettes he was importing were counterfeit.

TTAB Determines Specimens and Drawing Page “Match”

Monday, April 21st, 2008

urban-renewal-blog.png

In a recent non-citable decision from the TTAB, the Board found that Applicant’s specimen for URBAN RENEWAL did in fact match the drawing page in its application, notwithstanding the mark’s use of URBAN RENEWAL in conjunction with the terms “at home.”

While making clear that each case involving specimens and drawing pages is highly individualized, the Board did provide some clues to how it navigates this area of the law. The Board first noted that a proper initial test involves looking at whether the mark as used on the specimen created a separate impression from the remaining terms featured. In this case, the Board found that even though the terms were contiguous in size and typeface, the existence of the term “at” created a sufficient division to create a distinct commercial impression. Moreover, although the Board did not expressly so state, it suggested that the generic nature of the second portion of the mark makes it less likely to be viewed as functioning as part of the trademark; rather consumers will see the “at home” component of the mark as a suggestion of where Applicant’s goods can be used. The Board also seemed to suggest that other terms might be substituted in place of the “at home” words, without changing the meaning of the mark as applied for, all of which favor Applicant’s registration of the mark. For instance, the words “at home” could be replaced with “at play,” without changing the mark’s meaning.

Practice Note: This firm notes wildly different applications of Trademark Rule 2.51 by different examining attorneys. That said, clients can increase their chances of registration by differentiating the mark component by using distinct and more prominent fonts for the mark components, and adding a TM just after the mark component to distinguish it from the common and usual noun that follows.

Electrolux Sucks Life From Imid in False Advertising Case but Doesn’t Completely Clean Up on Trade Dress.

Tuesday, April 15th, 2008

Electrolux Blog Pic

Electrolux turned the tables on former distributor-turned-competitor Imig, Inc., which filed a complaint against the famous vacuum and home appliance company, for interfering with relationships with perspective customers. Electrolux filed several counterclaims, alleging that Imig copied Electrolux’s protected trade dress, copyright protected user manuals, and that Imig made false claims in its advertising.

The district court dismissed all of Imig’s claims on summary judgment, and found for Electrolux on copyright infringement and false advertising. The court found that Imig had copied the user manuals in violation of U.S. Copyright law. From a false advertising perspective, the court found that specific numerically based claims about the Imig vacuum’s superiority were false on their face, because the products did not actually meet those objective standards. The remaining counterclaims proceeded to trial. On March 31, 2008, the court issued its finding that Electrolux had not met its burden of establishing a protectable trade dress in its vacuum and therefore, did not find Imig liable.

The facts show that Imig, afraid that it would lose its distributorship of the Electrolux SANITAIRE brand, developed its PERFECT brand vacuum as a replacement. Discovery produced evidence of copying: in creating the PERFECT design, Imig referred its Chinese manufacturer to the specifications of the SANITAIRE line. It was also revealed that Imig’s patent attorney sent a letter to a patent research company noting his clients’ desire “to make a private label vacuum cleaner that is virtually identical in appearance” to defendant’s vacuum. The court also noted numerous visual similarities between the SANITAIRE vacuum and the PERFECT vacuum.

Notwithstanding Imid’s clear intent to copy, the court did not find liability. The court noted that Electrolux had not met its burden of establishing trade dress infringement. In order to establish trade dress infringement, the court wrote, a company must show that the product design is distinctive and that consumers are likely to be confused by seeing the distinctive trade dress on another product. The court held that the elements claimed by Electrolux were functional in nature, and that the company had not proved otherwise, despite Electrolux’s survey evidence showing consumers recognized the various elements of the vacuum as being uniquely from the SANITAIRE brand. The court also determined that secondary meaning had not been established, even though the product had been in use for several years. Addressing the issue of confusion, the court, citing Cadbury Beverages, Inc. v. Cott Corp. determined that Eletrolux had to show a “probability – not merely a ‘possibility’ – of confusion,” a burden that it also did not meet. Even with the victory on the copyright and false advertising claims, we’re guessing Electrolux thinks the decision, well, sucks.

Practice Note: One method of distinguishing trade dress elements is to use “look for” advertising tactics in marketing the products. If a product contains non-functional elements that truly distinguish the product, a company can generate recognition around those features by directing clients to look for them when they make a purchase. Such use may be more persuasive than survey evidence in making clear to both customers and competitors what elements of a design are trade dress.

Trademark Trial and Appeal Board Shows Who’s BOSS in Granting Motion for Judgment on the Pleadings.

Tuesday, April 8th, 2008

boss-blog.png

Question: When can you decide a trademark case based on a single factor? Answer: when the two marks share not a single common term.

Applicant, PAC Trading Group sought to register the mark PAC BOOSTER THE PERFECT SOUND for audio equipment. The mark was opposed by Ava Enterprises, Inc. on the grounds that it believed the mark to be confusingly similar to its registered trademark, BOSS AUDIOSYSTEMS. Applicant moved for judgment on the pleadings on the ground that Opposer could not even claim a “threshold of similarity” between its mark and Applicant’s mark. Opposer responded that the term BOSS and BOOSTER are “nearly identical because they both start with the letters “BO” and contains an “S;” and moreover, the goods are identical. Acknowledging the similarity between the goods, the Board nevertheless granted the motion.

The Board wasn’t buying the notion that BOSS and BOOSTER are nearly identical, pointing out the obvious: they don’t look alike or mean the same thing. The Board concluded that “notwithstanding the overlap of the respective goods, a likelihood of confusion cannot exist as a matter of law and that this case should be decided on the first du Pont factor as being dispositive.”

Practice Note: OK, I give up. Why exactly did Opposer file this action? As a threshold matter, a potential opposer should find at least one similar word (or similar sounding or meaning word) before bringing an opposition on the grounds of likelihood of confusion. That two parties sell the same goods is insufficient.

Hello, I Love You: Appellants Win in 9th Circuit Decision Involving Insurance Coverage of Doors Trademark Infringement Lawsuit.

Thursday, April 3rd, 2008

Appellants will get their day in court after all, and St. Paul Fire & Marine Insurance Company many have to pony up in the end. The case arises out of defense of two underlying lawsuits related to false advertising and trademark infringement. Raymond Manzarek, a founding member of the epic rock group The Doors began using the mark DOORS TOURING COMPANY in conjunction with music tours, as well as with various merchandise being sold on its website and at the concerts with the DOORS logo on it. Parents of the former band’s singer Jim Morrison, and Morrison’s widow sued the company for trademark infringement and trade dress infringement. Another suit, brought by former drummer John Densmore, alleged, inter alia, breach of contract, economic damage, and damage to Densmore’s reputation by either express or implied claims that Densmore was at best, The Unknown Solider, and at worst, not an integral part of The Doors legendary band.

Appellants tendered the lawsuit to their insurance company, which contained advertising injury liability. Tendering to the company, however, turned out not to be an Easy Ride to coverage: the insurance company promptly denied coverage and Appellants, determined to Break On Through the wall of denial, sued. The district court granted the insurance company’s motions to dismiss and appellants appealed.

Inching along in The Soft Parade toward reversing the lower court’s decision, the 9th Circuit stated that dismissal of the claim was premature, since the insurance company did not know exactly what items were being sold under the DOORS infringement, and by its own contract language, certain types of merchandise were expressly covered. The allegations by the former drummer relating to damage to his reputation, the 9th Circuit held, were sufficient to “raise the potential of an award of mental anguish or emotional distress damages.” No Back Door Man he, Densmore’s claims, if proved, could be covered under the policy.

Practice Note: With apologies to readers that this blogger will post anything up that references Jim Morrison, clients really should carefully read their media policies and other insurance coverage paperwork to make sure they are getting the coverage they believe they are paying for.

Jim Morrison

It’s a Web Web Web Web World: Your Demand Letters May Be The Talk of The Internet

Tuesday, April 1st, 2008

Engadget came out swinging when it received a trademark infringement demand letter from Deutsche Telekom (which owns T-Mobile). The demand letter suggests that Engadget’s use of the magenta color for its “imobile” section is a violation of Deutsche Telekom’s trademark rights in the color magenta for T-mobile and requests the company stop using the color.

Engadget regularly receives mail from disgruntled companies, primarily pertaining to Engadget’s reviews of certain electronic products, but this letter made Engadget see, uh, magenta, and it responded by posting the letter on the website, and inviting its readers to comment. Moreover, the letter appears to have enraged the company sufficiently that now it is using its trademark in a way that actually could be confusing.

Practice Note: Posting of demand letters by their recipients is nothing new; indeed, this blog has made several references to the practice in the past. Nevertheless, it is a reminder to attorneys to advise clients that demands can be made public. The mere fact that a demand letter might be posted should not deter a client with strong rights, but it may color the tone of the communication. In addition, attorneys want to guide their clients through the legal elements of the claims asserted in a demand, as well as the ramifications of those claims in the court of public opinion. In some cases, if the rights held are thin and the potential backlash is significant, perhaps a well-placed phone call is warranted.

Court Finds Defendant’s Use of Wal-Mart Trademark Fair Use

Friday, March 28th, 2008

walmart blog

A district court in Georgia has found that a political activist’s use of the term “WAL-OCAUST” coupled with Wal-Mart’s familiar smiley face and recognizable letter and typeface style is fair use.

Defendant sells t-shirts, buttons and other merchandise containing the WAL-OCAST trademark to protest what he believes to be Wal-Mart’s massive contribution to unemployment and U.S. destabilization by shipping jobs overseas where labor is cheaper. The campaign also used terms like WAL-QAEDA. Wal-Mart alleged trademark infringement and dilution by tarnishment. Defendant claimed fair use.

Wal-Mart submitted survey evidence of actual confusion to bolster its position that the activist’s use of the mark confused consumers. The court rejected Wal-Mart’s survey evidence of actual confusion as unpersuasive and of “dubious value” because, among other things, the sample size was not significant, and the conditions that were used to get the results did not reflect actual marketplace conditions. The court found that while Wal-Mart did have recognizable trademark rights in WAL-MART, and the blue stylized lettering, it has failed to show consumers would be confused as to the origin of the products.

Regarding Wal-Mart’s tarnishment claim, the court found that if there was tarnishment, it was the result of satire. A tarnishment claim based upon satire is not actionable under the anti-dilution statute because the speech is protected under the 1st Amendment.

Practice Note: The court early on recognized the campaign as parody, but correctly noted that parody is not an absolute defense to trademark infringement; in a defense against trademark infringement where parody is an element, a party must still prove no likelihood of confusion.

Johnson & Johnson Cross Over Perceived Trademark Infringement.

Monday, August 13th, 2007

Last Wednesday, Johnson & Johnson filed suit against the Red Cross, alleging trademark infringement of J&J’s RED CROSS design by the Red Cross for products licensed by the Red Cross and sold to the public.

J&J doesn’t appear to dispute the Red Cross’ use of the mark for disaster preparedness, but claims that its use cannot extend to commercially available products, such as first aid kits, something J&J has been selling since at least as early as 1903 (and possibly 1887). J&J claims that the 1900 Charter by Congress did not give the Red Cross the right to sell commercial products. The Red Cross, on the other hand, points to language in the Charter that allowed it to register its emblem (red cross on a white background) in every class at the U.S. Patent and Trademark Office, as well as language in the Charter that allows it to carry out other activities consistent with its Charter purposes. Supplying the public with various products related to safety, the Red Cross contends, is completely within the course and scope of its mandate and the Charter. Such a position is making J&J see red.

If the Red Cross’ public information is correct and it has for 100-plus years been selling first aid kits for over 100 years openly, and with the knowledge of J&J, this writer thinks a laches defense might well carry the day. If J&J leaps that hurdle, then perhaps a showing of lack of confusion for the past 100 years is sufficient to quiet the company. Nabisco, Inc. v. PF Brands, Inc. 191 F. 3d 208 (2d Cir. 1999)Surely, the proliferation of third party “cross” marks, coupled with both entities’ longstanding histories has over time educated consumers to the distinction between the two marks’ use. Sun Banks of Fla., Inc. v. Sun Fedl. Sav. & Loan Ass’n. 651 F.2d 311 (5th Cir. 1981); Local Trademarks, Inc. v. Handy Boys, Inc., 16 U.S.P.Q.2d 1156 (TTAB 1990).

Despite the fact that the marks are identical, it’s not difficult to tell the difference when we are presented with each; much like pornography, we know which is which when we see it. What is likely making J&J see red is the potential loss of market share rather than any real concern of confusion. And here we thought trademarks were for consumer protection.

iPhone v. iPhone

Tuesday, January 23rd, 2007

Trademark 101: two companies cannot use an identical mark for similar or related products. This is to avoid consumer confusion. The company that owns an earlier federal registration with the U.S. Patent and Trademark Office (“PTO”) generally prevails; the other must change the name of its product (with many nuances and exceptions, of course!).

Now everyone is talking about the Apple iPhone. But have you heard of the Linksys iPhone? Probably not until Cisco (Linksys’ parent company) filed a much publicized lawsuit against Apple over the mark “iPhone” two weeks ago. Cisco claims that it owns senior rights in the mark and that Apple cannot use the name.

Cisco’s complaint is available here

Apple iPhone.jpg Cisco iPhone.jpg

Cisco has owned a PTO registration for “iPhone” since 2000 (when it purchased the company Infogear). Apple owns foreign applications for the mark (in Asia, Europe and Australia). Cisco’s registration is for “computer hardware and software for providing integrated telephone communication with computerized global information networks” (Reg. No. 2,293,011). In December 2006, less than a month before the anticipated launch of the Apple Iphone, Linksys, a division of Cisco, released its iPhone handheld device.

The differences between the devices may play a role in resolving the dispute. Cisco’s iPhone products work with Voice over Internet Protocol (VoIP) services (like Skype), while the Apple iPhone is more like a conventional cell phone that uses internet connections, not to make calls, but to browse the web or check emails. The differences are subtle, but judges and the PTO have been known to allow identical marks to coexist in the telecommunications and software industries if the products have different uses and markets.

Another issue that may come up in the case is Cisco’s use of the mark since 2000. Infogear was using the mark for its line of “phone-plus-internet” products, but did Cisco use the mark in commerce before launching its own iPhone device in 2006? This is important because if a mark has not been in use for 3 consecutive years and the owner has done nothing to try to resume use of the mark, the PTO may presume that the owner has abandoned the mark. Apple may use that argument to try to invalidate Cisco’s registration.

Stay tuned for updates on the dispute…

In the meantime, bloggers are already coming up with alternate names for Apple’s iPhone: MacPhone, iTalk, iCall, iWishIHadABetterName…